Mary Darling in rehearsal with director Noah Dawson.

"The Forge Theater Lab afforded me the opportunity to workshop and produce my writing, which was a huge turning point for my playwriting career. As a writer it can be challenging to find these opportunities and to feel creative freedom when exploring a collaborative approach to producing quality work. I was able to workshop my full length Good Grief, which allowed me to finally hear it out-loud, fill in huge gaps, rewrite problem areas, and to join an audience in watching a semi-finished product. The Forge also fully staged my play On Our Terms and encouraged me to workshop that throughout the early stages of the production, which once again aided tremendously in my development. I am forever grateful to this company and their mission to help artists thrive. I enjoyed the freedom to explore my work and to take a collaborative approach to a common goal: producing new work."
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- Mary Darling

Ashley Lauren Rogers in rehearsal with director Samantha deManbey.

"The Forge Theater Lab was instrumental in the development of my play Chasing the Ghost.  The Forge Theater Lab provided me space, collaborators, as well as professional and dramaturgical support to make edits and tighten the script into one of my own personal favorites.  They worked with me every step of the way to full production of Chasing The Ghost to be sure they were doing justice to the piece while making strong artistic decisions that enhanced the story."
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- Ashley Lauren Rogers

Andy Bayiates in rehearsal with director Kelly Stowell.

"No single workshop opportunity was more important to the development of The Lowell Offering than our work with The Forge. Its leaders’ dramaturgy in particular was hugely impactful, and continues to be as they’ve remained invested in the success of our show after the workshop. They care deeply about the development of new work and invest fully in a play from first rehearsal, through the public performance and beyond. It’s not a quick-and-dirty reading and then you’re forgotten. It’s more like your play is fostered by benevolent caretakers whom you’ll stay in touch with for years."
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- Andy Bayiates and Genevra Gallo-Bayiates